SÉQUENCE SUR LE GROUPE DU VELVET UNDERGROUND

Pop deux - 10/06/1972 - 22min55s

Le 29 Janvier 1972, le groupe du VELVET UNDERGROUND (Lou REED, John CALE et NICO) s'est reformé à l'occasion d'un concert donné sur la scène du Bataclan de Paris. Lou REED interprète "Berlin", "I'm waiting for the man", "Heroin". John CALE interprète "Ghost story". NICO interprète "Femme Fatale" (fin de la chanson sur générique déroulant).Entre les chansons, Patrice BLANC FRANCARD devise, a posteriori, sur ce concert en compagnie de Philippe PARINGAUX, Yves ADRIEN et Jean-Pierre LENTIN. Sur un ton très baba cool, ils parlent du groupe mythique, du rôle de patron détenu par Lou REED et de la différence de mentalité entre New York et la Californie.

CTS_MUSEic Of The BODy by artist Amy Greenfield

MUSEic Of The BODy, in many ways is not only a tribute to Charlotte Moorman and Nam June Paik both well known artists and musicians but also a pivotal experience for Greenfield. It was the first time she directed a large scale multi media stage event that would influence her own work for the next decade.
Her subjective camera zooms in and out at a dizzying pace on performer Suzanne Gregoire, who is completely nude in a pair of stilettos and a long string of extra large pearls. She is bound and tangled in the expansive string of pearls while she plays Nam June Paik's interactive piano/video installation Pyramid- Interactive with her convoluted body. She pounds the piano in a desperate physical wail. The audience is given the ultimate impression of internal calamity pulled in a cerebral storm of transgressing emotions. Her image fills the mountain of screens, she hammers and tears at her pearls, her eyes make contact with the audience, her body shakes and quivers. The accompanying soundtrack facilitates and promotes this increasing transgression by mixing the rogue piano notes with the classic sounds of Beethoven's piano sonata. Her head reaches back, the pearls tighten, she exhales, the piano fades, it is understood this dance continues on in an ethereal sphere now.
for more visit us at creativethriftshop.com/
Amy Greenfield
MUSEic Of The BODy
2009 (1994), film, color, sound, edition of 10, run time 8:03 minutes


CTS_MUSEic Of The BODy by artist Amy Greenfield from CTSart on Vimeo.

Zaz Zetoun Mind - Try to relax

BOUCONNE SPECTRALE

Marianne Van Hirtum - L'hymne au grand parapluie

Revue "Bief" (Jonction Surréaliste) n°2, 15 décembre 1958,
(Editeur "Le Terrain Vague ")

Else Lasker-Schüler

 FIN DU MONDE

Il est des larmes dans le monde

Comme si le bon dieu était mort.

Et l'ombre de plomb qui tombe

Pèse du poids du tombeau.

Viens, cachons-nous plus près...

La vie gît dans tous les cœurs

Comme en des cercueils.

O ! Embrassons-nous profondément.

Au monde frappe une nostalgie

Dont il nous faudra mourir.

SOUFFRANCE COSMIQUE

Moi, le vent brûlant du désert,

je me suis refroidi et j 'ai pris forme.

Où est le soleil qui peut me libérer

ou bien l'éclair qui peut me fracasser !

Lors je lève, tête de sphynx pétrifiée,

des yeux en courroux vers tous les cieux.

CHANSON

Sous mes yeux sont des eaux

Que toutes il me faut pleurer.

Toujours je voudrai m'envoler

Avec les oiseaux migrateurs ;

Souffler pêle-mêle avec les vents

Dans l'air immense.

Oh ! Je suis si triste...

Le visage en la lune le sait.

Il est à la ronde un grand recueillement de velours

Et la proche aurore m'entoure.

Quand mes ailes sont brisées

A tes cœurs de pierre,

Les merles sont tombés comme roses funèbres

Du haut de leurs buissons bleus.

Tout le gazouillement réprimé

De nouveau va éclater,

Et je voudrais m'envoler

Avec les oiseaux migrateurs.

(Extrait de « Expressionnistes allemands» Lionel Richard,

Panorama bilingue d'une génération,

Voix, La Découverte Maspero deuxième tirage 1983) 

http://fr.wikipedia.org/wiki/Else_Lasker-Schüler

Eiko and Koma

http://www.eikoandkoma.org

http://vimeo.com/eikoandkoma











Eiko and Koma's Naked
Naked is a new "living installation" created by the renowned Japanese-American movement artists Eiko & Koma as part of the Walker Art Center's Event Horizon exhibition showcasing the collections. Commissioned by the Walker, this movement/visual art installation features Eiko & Koma's live bodies in an immersive and charged environment of their own design. It is the duo's first prolonged return to a gallery-based living installation since Breath, a month-long project at the Whitney Museum of American Art, New York, in 1998. Visitors are invited to stay for a few minutes or the entire day, and return numerous times to experience the piece evolve.

RIVER (? 1995): Eiko & Koma's Outdoor Performance (????)
from Eiko and Koma
Retrospective Project Video Archive #20. Excerpt.
An excerpt from Eiko & Koma's 1995 outdoor work RIVER. The performance shown above took place at Duke University as a part of the American Dance Festival (ADF) in 1996. Eiko & Koma performed RIVER in nine different rivers and water sites. The footage was provided by American Dance Festival Archive. Camera by Douglas Rosenberg.
Please also see the related documentary available on vimeo, "Dancing in Water: The Making of River."
http://www.eikoandkoma.org

Bouconne totem

Mushrooms, forêt de Bouconne ce jour...

Un sourire comme une ammonite au cœur de l'infernal vide. L'agonie des rêves...

Forêt de Bouconne le 18 novembre 2012

Forêt de Bouconne ce jour...

"Brush of Baphomet" (2009) directed by: Kenneth Anger

Documents the paintings of Aleister Crowley

May Morn by Aleister Crowley, from The Equinox Vol. 3,No. I.

Aleister Crowley - The Moon, 1922

The Babalon Door, Painting by Aleister Crowley

ALSO 

Joyce Mansour - Pour celles qui désirent dans l'ombre et le brouillard

Pour M.L.

Nout

Sans répit

Aux rongeurs sacrifiée

Nout

Coiffée de sa vulve tel un rêve prolongé

Nue comme une fille dans la bouche du canon

Kodak

Elle ouvre ses mille yeux

Et fait la roue sur ma poitrine

Feu de salve

L'eau salée fait irruption

Secrets et violence de la cruche couleur d'avoine

Renversée

Nout mère du veau naissant chaque fois que l'aube agite

Son plumeau de flammes au-dessus de l'horizon

Son pubis est un puits rare perdu dans le désert

Basilique aux rosaces cannibales

Autel empoisonné par le sperme

Cage thoracique pour robustes Cléones

Elle hurle et se débat

Une crête aux roues dentées

Creuse des sillons sur mes joues

Foudre récurrente ferveur corrosive

Ventre à ventre

Jambes deçà

Jambes delà

Elle m'enlace et puis s'envole

Mais inversons l'étoile

Nout ton sexe est un coq

Qui sur mon crâne lentement se dégorge

O le silence de ce sang coulant sans cailloux

Ni feuilles affaiblies pour ralentir sa chute

Lourds sanglots grassement angoras

Murs de pleurs glanduleux

Sang indigo qui sur mon front oscille

Nout la nuit

Si l'éclair fendant l'eau est un pénis aveugle

Et le ciel croûte ingrate une clef faussement chiffrée

Qui parsèmera ton corps de bourgeons stupides

Qui osera s'endormir

Extrait de « Phallus et Momies » (1969)

TateShots meets Cosey Fanni Tutti

TateShots meets Cosey Fanni Tutti to discuss art and music.

Cosey Fanni Tutti is the ideal artist to start our new series on art and music, having worked across the two mediums since 1969. In this film, interspersed with live footage from her bands Throbbing Gristle and Chris and Cosey, she talks about her distaste for decorative art and how her music is all about emotion. She also discusses her work from the 1970s, in which she modeled for glamour magazines as a way to explore the commodification of sex. It would have been hypocritical, she explains, to use images of other people when she could have done it herself.

Leah Gordon

Leah Gordon is a British photographer whom in 1991 went on a trip for the 1994 Amnesty International Report on Haiti and since has been exhibiting the photographs.

Her first Exhibition in 1995 was entitled ‘Haiti: Photos, Paintings and Ironworks’ at the October Gallery - the second being ‘Sacred Voodoo Flags of Haiti’ - the images from this show were printed in NERO magazine following her first exhibition at Riflemaker gallery ‘Voo-doo’ in 2009 and it was the first time I had come across the work - I obsessed with the images and had shown them to many friends.
Now I have stumbled upon more images via Rifemaker gallery whom are due to exhibit her work again from 5 July - Saturday 10 September. The show will be called ‘The Invisibles’.

http://www.leahgordon.co.uk


Atis-Rezistans: the Sculptors of Grand Rue
by Leah Gordon

Grand Rue is the main avenue that runs through downtown Port au Prince, Haiti. At its southern end is a community that has a historical tradition of arts, crafts and religious practice. Contemporary Haitian artists Celeur, Eugène, Claude and Guyodo all grew up in this ghetto atmosphere of junkyard make-do and artistic endeavour. Their powerful sculptural collages of have transformed the detritus of a failing economy into bold, radical and warped sculptures. Their work references their shared African & Haitian cultural heritage, a dystopian sci-fi view of the future and the transformative act of assemblage. The monumental works they have created are liberally scattered around this slum area, transforming the clamorous area into an organic art installation. This multi-layered film is a portrait of a neighbourhood both materially poor but culturally rich, and a meditation of the links between sex, death and creativity as expressed through the Vodou spirit Gede, that influences all their work. (2008)